Richard Serra, the artist who reinvented the world’s conception of large-scale sculpture, died from pneumonia at his residence in Lengthy Island, New York, on Tuesday. A lot has been written concerning the methods through which Serra, who was 85, remodeled the panorama of the artwork world (and, in lots of instances, bodily landscapes, from Spain to California to Dallas); his site-specific, usually steel-hewn creations will reside on, and there’s no substitute for seeing one in every of them in individual.

Under, discover 5 locations the place you may discover Serra’s work, in all its gargantuan splendor.

The Nasher Sculpture Middle in Dallas, Texas

My Curves Are Not Mad (2004) is a part of the Raymond and Patsy Nasher Assortment on the Nasher Sculpture Middle. Crafted from Cor-Ten metal plates, the paintings weighs over fifty thousand kilos. In an interview with The Guardian in 2008, Serra famous how using curves and slopes had radically modified the best way his works had been obtained: “Folks reacted to the curves in a manner they didn’t to the angles and straight traces,” he stated. “They hadn’t seen that earlier than. Modernism was a proper angle; the entire twentieth century was a proper angle.”

Dia Beacon in Beacon, New York

Dia Beacon has a number of of Serra’s smaller works on long-term view throughout 5 galleries, with examples corresponding to Scatter Piece (1968) and Elevation Wedge (2001) reliably drawing a crowd.

Downtown St. Louis, Missouri