Excessive glamour was the order of the day for Jenny Packham’s fall assortment, which neatly picked up the place her pre-fall left off: reveling within the glitter and hedonism of the Seventies. “I used to be fascinated about David Bowie final time, which led me on to Starman and all of it received a bit cosmic,” she stated. Except for the primary costume within the assortment—a showstopping robe in a shade of acrylic-nail crimson embellished with grids of sq. sequins and bugle beads, with extra of a straight-down ’60s silhouette, the designer was loosely impressed by Anjelica Huston—this was all-out ’70s decadence, with a Packham twist.

As ever, her work with crystals and sequins shone (each figuratively and actually). A sweeping liquid gold robe featured energy shoulders and chunky crystals on the neckline, the latter cascading down the costume like a meteor bathe and dissipating into sequins of more and more finer proportions. A playful black crepe quantity with a excessive neck was embellished with bursts of stars on every shoulder common from golden shadow crystals. A very fairly robe lower from a silvery diaphanous tulle was layered with additional crystals and sequins over the layers of ruched sheer cloth, like a gauzy constellation of stars sheathing the night time sky.

“The attire that make up this galaxy of fashion aren’t made to glitter for one night time, however to shine on without end,” Packham wrote within the notes accompanying the gathering. Decade-hopping her designs is perhaps, however it’s their timelessness that has earned her such a fiercely loyal clientele—and it’s not laborious to think about how these items will dangle in her prospects’ closets for a lot of extra a long time to return.