All the landscapes have the title “As above, so beneath,” which comes from an historical textual content, and would possibly counsel a Dantean studying. The most important work within the exhibition is a dense, tactile portray based mostly on a satellite tv for pc image of destruction by way of struggle. “When folks got here in and noticed the work after I was making it, they had been like, ‘Oh my God, it’s so stunning.” When the viewers discovered the title, “Crater Scar,” their opinions modified, says the artist. “It’s attention-grabbing to play on that—the wonder and the horror of it—and that’s additionally what’s the essence of the Rilke poem. He’s saying, ‘Don’t let your self lose me, whether or not it’s magnificence or terror, you need to go into it.’”

In a single drawing within the present, a hand is reaching right down to elevate one other up, in a gesture of welcoming, of succor, of help. “Give me your hand,” is the closing line of the Rilke poem that guides the present. Davidsen’s exhibition is equally a lifeline. It won’t all the time be simple to carry onto, nevertheless it affords a priceless and transferring connection.

Cathrine Raben Davidsen’s “Let Every part Occur to You” is up at Copenhagen Up to date from January 25 by way of Might 4.